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Note: C/B# 2 Fingering: OXX/OOO Numeration: ae01.03 Author: anonymus Country: England Notes: Year: 1800 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: ale02.04 Author: Alexander, James Country: England Notes: in combination with C1'ale02'-E2'ale02' when pp (ex. 8) Year: 1830 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: cog.01 Author: Coggins, Joseph Country: England Notes: Year: 1830 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: dev03 Author: Devienne, François Country: Austria Notes: Year: 1800 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: dro.04 (or+D#) Author: Drouët, Louis Country: France Notes: Year: 1827 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: droe.04 (or+D#) Author: Drouët, Louis Country: England Notes: fictitious note, good or bad, according to the Flute; in combination with G Year: 1830 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: droit.04 (or+D#) Author: Drouët, Louis Country: Italy Notes: Year: 1830 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: kei.02 Author: Keith, Robert William Country: England Notes: Year: 1816 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: kuf.03 Author: Kuffner, Country: England Notes: Year: 1820 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: mon01.02 Author: Monzani, Tebaldo Country: England Notes: useful Year: 1801 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: wra01.02 Author: Wragg, J. Country: England Notes: Year: 1793 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: wra03.02 Author: Wragg, J. Country: England Notes: Year: 1795 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: wra02.02 Author: Wragg, J. Country: England Notes: Year: 1795 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: wun.01 Author: Wunderlich, Johann Country: France Notes: Year: 1812 | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: sey.04 Author: Seydler, Philip Country: Germany Notes: - Year: 181.? | |
Note: D 3 Fingering: OXX/OOO Numeration: oel Author: Oelschig, C. Country: Germany Notes: - Year: | |
Note: C/B# 2 Fingering: OXX/OOO Numeration: oel.01 Author: Oelschig, C. Country: Germany Notes: Die Dis Klappe kann zu den meisten Tönen genommen werden wodurch nicht allein viele derselben klangvoller werden, sondern woraus auch der Vortheil einer bessern Haltung der Flöte überhaupt entsteht. Year: |